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Of course, an album must be judged on its musical merits, and the overall mixture of rhythm and pedal steel guitars, with a touch of harmonica here and there, is a serviceable foil to Bruni 's smoky voice. But even here, one would wish for more clarity in the line readings: the breathlessness of her singing means that sentences often fizzle out. Dorothy Parker 's stark "Afternoon" is maltreated in this way, as is Emily Dickinson 's wonderful poem "I Felt My Life with Both My Hands" -- and the absurd jauntiness of both songs is almost unbearable.

The one highlight of the set is the doo wop piano-and-guitar jam on Dickinson 's "If You Were Coming in the Fall," which lends itself oddly well to Bruni 's sauce. But this is an impersonal set of disparate poems set often unimaginatively to incongruous arrangements. It is a brave failure, but a failure nonetheless. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age.

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It appears your browser does not have it turned on. Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Eleven takes on classic poems by an ex-supermodel? It doesn't bode well, but, says Liz Hoggard, it's surprisingly good. Download: 'Afternoon'. Reuse this content.



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